Painting

Selective Focus: Carly Jandl

Carly Jandl is an artist still exploring all the options, currently working in painting and jewelry. She also helps others get their work in front of an audience by hosting pop-up events. This week in Selective Focus we get a close-up view of her small-scale artwork and bigger goals.

CJ: Northern Exposure Art is an ever-changing endeavor. My passion began with acrylic painting, and slowly continues to morph as I find other projects to satisfy my creative brain. I am currently focused on commissioned paintings, crafting rainbow earrings, and designing logos. I basically take whatever my creativity tells me to do and run with it. …

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Selective Focus: Tom Moriarty

This week in Selective Focus, artist Tom Moriarty shows some of the wide spectrum of work he’s done, and discusses how drawing, DIY, and demolition derby have formed his way of working.

T.M.: I always love experimenting with different mediums and workflows, and I try and keep the creative juices flowing in a lot of different directions. Right now I’m focusing a lot on muraling. Sometimes I’m existential ramblings in smears and splats of acrylic paint and sometimes I’m drawing portraits tight and trim on a tablet with a stylus. I love making collages and then illustrating over them (I call em collagistrations). I do this a lot for gig posters and event flyers. Black and white illustrations for letterpress. I do graphic design, typography and branding a bit too. For a few years now I’ve been messing around with interactive art in my spare time. Connecting paintings and sculptures to microcontrollers with conductive inks and alligator clips. They output sound when you physically interact with the art… like a musical instrument. I haven’t found that sweet spot with tangible application so for now that’s just for fun. …

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Selective Focus: Jeffrey T. Larson

Jeffrey T. Larson is a painter and founder of the Great Lakes Academy of Art, located in the former St. Peter’s Church, 810 W. Third St. Larson has been working and teaching a classical style of painting in that location since 2015. There will be a student-instructor exhibit at the school May 24-26. Larson talks about his classical training and how working and teaching fit together for him.

JTL: I was fortunate to have found and be accepted into one of the last ateliers (studios) left in the world taking on apprentices and training them in the manner of the old masters. It was a sort of visual Julliard. I work pretty exclusively in oil paints. The tradition that I studied in is really more about retraining your eye to see nature honestly and truthfully as it is about learning how to paint. My style is really my reaction to what I see as beautiful filtered through my personal aesthetics. More simply put, I would call myself a classical impressionist. …

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Selective Focus: Shelley Breitzmann

Shelley Breitzmann is a landscape painter who like many artists in the area, draws inspiration from Lake Superior. From her website: “It’s hard to live near Lake Superior and not be fascinated with its weather and how it impacts the life around it. To try to get that feeling on canvas is pretty compelling.” Her paintings feel huge and vast, and while she works, she pushes and pulls things in and out of the misty, foggy atmosphere of the paintings.

SB: I’ve been working with acrylic on canvas for about 10 years, after working primarily with watercolor since high school. The change really resuscitated my connection with art and the painting process. Since acrylic dries fast, it’s probably not the best medium to achieve the soft, foggy landscapes I’m drawn to, but blending and manipulating it is a challenge I really enjoy. The change in humidity from summer to winter alters the painting process pretty drastically and is something to adjust to throughout the year. …

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