December 4, 2020

Born Eliane Papai around 1935 in Spain, Eliane married her way into a couple other last names; she is mostly referred to as Eliane Brau, using the last name of her second husband. I think of her simply as Eliane, in deference to her singularity. Below I argue that her role in the “Letterist” movement of early 1950s Paris has been diminished; conversely, the achievements of the Letterist men have been overblown. It has been too easy to write her off as a passive “muse” for these men who indeed loved her fiercely. She deserves parity. Sadly, unlike her lovers, there is a distinct lack of information about her on the internet. I cannot even determine if she is still alive. Eliane is an invisible icon.

This week we hear from a behind-the-scenes artist, literally setting the stage for others, creating environments and moods where actors can practice their craft. Jeff Brown is a scenic designer, lighting director and technical director who has worked with the Duluth Playhouse and other theater groups, and expanded his work into designing for museums and other public spaces. Oh, and he loves grilling.

JB: As happens with so many big things in life, I was introduced to the world of theater almost by accident. After some years as an Army paratrooper, I had enrolled at a community college and had one big choice left in order to finish my associate’s degree… A Public Speaking course, or a Stagecraft course? I was not at all interested in Public Speaking, so Stagecraft won by default. I couldn’t have guessed that the course would feel so natural to me and that it would introduce me to people and a field that I had never even considered before.

After being involved backstage in a couple of productions there, I decided to pursue a bachelor’s degree in technical theater, and I transferred to Minnesota State University Moorhead. MSUM had a very active theater department with a strong technical standard, and I benefited greatly from learning scenic design and lighting design along with construction and production techniques.

The harbor looks busy in this vintage photo for sale at the Superior Salvation Army

I found this framed photo with an unusual view of the Duluth Harbor and Aerial Lift Bridge at the Superior Salvation Army last weekend. It’s signed by Tim Slattery.

Lots of questions about this picture: Was the photo taken from a structure or from an airplane? Can anyone identify the three (!) ships in the port? What jumped out to me were the twin “tin man” water towers on the hill above the bridge. Where were they located and when were they taken down? …

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