September 7, 2018

I left Panera for the Realistic Joneses at the Zeitgeist while, it seemed to me, a woman was in a tree. I’m not entirely sure about the tree part — I know she was in the woods, alongside the creek behind the parking lot separating the Panera from the Aldi complex, and I know that the police and EMTs were looking upward as one of the pines was shaking. I didn’t see her. I could only hear her voice, sadly crying that people believed that something was wrong with her. I felt a sadness that mirrored hers. There was no way for this story to end which didn’t fulfill her words.  I wished there were a way for people to just turn their backs and let her leave, if that would be what she wanted. …

Photographer and filmmaker Nik Nerburn has a show at Hemlocks Leatherworks and a show opening next Thursday at Duluth Art Institute. His photos are spontaneous glances that grab and pull you in, wondering about the rest of the story.

NN: I’m a documentary storyteller. I make movies and take pictures. Most of my work is about life in the upper Midwest, mostly rural areas, small towns, and places that are changing. I’m currently working on a photo essay about the shifting politics and culture of Duluth and the Iron Range, a documentary film called The Great American Think Off about a philosophy contest in New York Mills, Minnesota (population 1,119), and a photo book called The Grand Terrace Photo League, which is a documentary collaboration between myself and the residents of an apartment building in Worthington, Minn., which houses mostly recent immigrants who work at a nearby pork processing plant. I care about expanding the common life and finding ways to relate across great differences. …

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